Phillip Colbert: Nine Things You Need to Know

Philip Colbert’s boisterous multidisciplinary art projects have won the support of the likes of Karl Lagerfeld and Lady Gaga as well as exhibitions worldwide at Art Basel, Frieze London, Tate Modern and Wavelengths, China. Now he announces the latest move in his pop universe: his second solo show of his large-scale paintings at Saatchi Gallery, all narrated through his lobster alter-ego. Here’s nine things you need to know.

  • Previously described by American Vogue’s Andre Leon Talley as “the godson of Andy Warhol”, Colbert will present eight large-scale canvases that burst with references and motifs of contemporary culture and art history. Conceived as a dialogue between himself and his pop forefathers, the paintings ruminate on their contributions in the face of popular culture and his own autobiographical journey within this landscape.
  • Paul Forster of the Saatchi Gallery has said, “Philip Colbert’s works are energetic and vibrant examples of contemporary art that illustrate the saturation of art history and pop culture in society.”
  • Colbert’s punk-pop journey via his studio collective, the Rodnik Band allowed him to gracefully circumvent the fashion and design universe, while art functioned as his true objective. From his east London studio, he has conjured-up limited edition Duchamp-inspired urinal dresses and wearable art frocks. Sequinned tins of Campbell’s Soup attire and bejewelled fried eggs were sold in Dover Street Market and Collette in Paris and worn by Sienna Miller, Cara Delevingne, Anna Della Russo, Lady Gaga and more
  • As the Rodnik Band enabled Colbert to develop a flamboyant brand identity
    of high-fashion and humour, his journey of whimsy continued. He turned Rita Ora into swiss cheese for her 2013 world your and a future collaboration with Kanye West has been mooted by Kanye himself.
  • Capsule collections and collaborations followed with Disney, Snoopy, a Rolex watch, a Smart Car and dresses for Absolut’s ‘Andy Warhol Limited Edition’ bottle have all benefitted from Colbert’s stardust.
  • Colbert’s hipster credentials were well and truly sealed when Cara Delevingne decided to appear in a campaign film for a cute capsule collection featuring Charlie Brown, Snoopy, Lucy Woodstock and the gang who were all emblazoned across cropped tees, sporty jersey dresses and bomber jackets.
  • Conceptualising collaborations and collections motored by the zeitgeist references are sewn into Colbert’s lexicon alongside today’s figures and motifs. Pop emblems jostle with surrealism and the pervasive fragments and figures of a modern Britain.
  • Colbert checklists an art and culture history bingo card of Salvador Dali’s lobster telephone, Lichtenstein’s hot dog, David Hockney’s swimming pool, Francis Bacon’s distorted portrait, Man Ray’s ball bearings, William Shakespeare with a pint in hand and one of today’s best-loved commentators, Grayson Perry as his alter ego Claire. These figures are juxtaposed against a visual vocabulary of mass culture, Tesco signs, emojis, umbrellas, Cornflakes boxes, jars of Golden Shred marmalade, tea bags, mugs of builder’s tea and biscuits.
  • The canveses throng with youthful energy but there’s a darker subtext. Colbert’s world is witty, whimsical and ironic, yet these are dark times, so he plays as much to our fears as our hopes. Central to each composition  is Colbert’s trademark lobster, who narrates the epic oil on canvas works. The works are an explosion of painting styles and ideas, they present modern pop as narrated chaos, each painting showing the influence of social media on perspective and our saturation of art history and pop culture. As for the lobster, says Colbert, he is very much the narrator of the works, which allows him to be in conversation with the pop practitioners of the past.

Philip Colbert: New Paintings
Saatchi Gallery Duke of York’s HQ King’s Road SW3 4RY

Telephone: Saatchi Gallery 020 7811 3070


15th December— 15th January 2019

Mon— Sun 10am— 6pm